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Picking up kind of where Mona left off, and also, actually, this is very timely. It was this community that really was the seeds of the time-based media art conservation practice. In this talk, Mona gave a kind of oral history and telling of the emergence of the audiovisual preservation community as it emerged from the ‘70s until the early aughts. A big hand for Ben.īEN FINO-RADIN: This talk, first of all, was inspired by a really wonderful lecture given by Mona Jimenez last fall at the Conservation Center at NYU. With that, I'll just let him take it away. Before that, he was a Media Conservator at Rhizome internet database, an online-only museum dedicated to the collections of net art. Before doing that, he was one of the Media Conservators at the Museum of Modern Art. Today, we are treated with the presence of Ben Fino-Radin, who has recently founded Small Data Industries, which is a private practice dealing with issues regarding the conservation, preservation, exhibition, and storage of time-based media artwork. Before introducing our illustrious speaker, I just want to say thank you to the National Collections Program at the Smithsonian, which has funded this presentation as well as lots of presentations, workshops, and time-based media-related initiatives throughout many units of the Smithsonian. I'm the time-based media conservator at the Smithsonian American Art Museum and here serving as representative for the Time-based Media Working Group. Thanks, everyone, for coming to this presentation by the Lunder Conservation Center in partnership with the Smithsonian Institution's Time-based Media Working Group. Inventories of American Painting and SculptureĭAN FINN: Alright, we will go ahead and get started here.View on Flickrĭata preservation bootcamp by Ben Fino-Radin.
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Registration is free but mandatory for the bootcamp! The open atelier is open to all, registration is not required!ĭata preservation bootcamp by Ben Fino-Radin. Praktische Infoĩ-10 April | 9:30 - 17:30: Data preservation bootcampġ1 April | 9:30 - 17:30: open atelier for vintage computer hardware care and data retrieval The open atelier is open to all, registration is not required. Registration is mandatory for the data preservation bootcamp (max. Potential participants of the workshop include specialists and non-specialists with the minimum knowledge about computers:Īttendees are expected to come with their own laptop to the workshop. Open atelier: vintage computer hardware care & data retrieval Coached by Vincent Leclaire (Sicilium)įor all those interested to maintain their Amiga, Commodore, Sinclair, Atari, Tandy, old Macs and PCs and get back some content from all these obsolete data carriers: 5.25 and 3.5" floppies, sysquest, jazz, tapes. An emphasis will be placed on using free and open source software, arming participants with the ability to accomplish their preservation goals no matter the resources at their disposal. Also covered will be the fundamentals and best practices of designing a digital storage system for long-term preservation.
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Included will be hands-on activities such as capture and recovery of legacy and contemporary media carriers, use of checksumming tools, breathing life back into obsolete software through the use of emulation, and experimentation with simulating the properties of CRT monitors. This workshop will provide an immersive two-day boot camp, providing attendees with some of the most critical basics for handling and caring for digital art. 11 April | 9:30 - 17:30: Open atelier for vintage computer hardware care and data retrievalĭata Preservation Bootcamp Coached by Ben Fino-Radin, Digital Repository Manager, MoMA.9-10 April | 9:30 - 17:30: Data preservation bootcamp.
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These two days will be followed by a open atelier by Vincent Leclaire ( Sicilium) where participants will get advices and examples on how to keep legacy computer equipment working to access and experience data stored on obsolete carriers. On the 9th and 10th of April, Ben Fino-Radin, Digital Repository Manager at the Museum of Modern Art in New York will host a workshop on data preservation and access from obsolete and current media carriers. IMAL - Centre for Digital Cultures and Technology in Brussels and PACKED - Centre of Expertise in Digital Heritage, are organising a 2-days workshop and 1-day open atelier on the handling of obsolete data carriers and computer hardware. With Ben Fino-Radin (MoMA) & Vincent Leclaire (Sicilium)